RIP Al Gallodoro, the King of the Saxophone
October 7th, 2008 | 3:04 pm est |
One of American music’s last links to its glorious, pre-rock past has dropped from the chain with the passing on October 4 at age 95 of reedman Al Gallodoro. Once billed as “The King of the Saxophone,” Gallodoro had one of the longest ever-professional careers in music, which began in a Birmingham, Alabama, vaudeville house in 1926 and ended with Gallodoro’s last gig at the Corning Jazz and Harvest Festival on September 20. Gallodoro played alto saxophone, clarinet and bass clarinet, leading to another nickname, “triple threat.” Gallodoro first came to prominence in 1936 when he joined the Paul Whiteman Orchestra as first chair alto, and though Whiteman kept his orchestra going only intermittently after 1940, Gallodoro stayed in that job until Whiteman died in 1967. In 1942 Gallodoro was also named to the handpicked NBC Symphony led by Arturo Toscanini; Gallodoro claimed to hold the world’s record for playing the opening glissando to Gershwin’s Rhapsody in Blue, having performed it more than 10,000 times. Gallodoro favored a lithe, “classical” tone though he moved easily between the worlds of classical, jazz, and pop music.
In his later years, Gallodoro free-lanced, taught, and contributed to countless recordings, radio broadcasts, and TV commercials, work for which he was always paid, but seldom awarded credit; only at the end of his long life did Gallodoro begin to make recordings under his own name. At age 91, Gallodoro recorded the concerted work Ferde GrofĂ© composed for him, Gallodoro’s Serenade (1958), with the Harmonie Ensemble of New York under Steven Richman, sounding as good at 91 as he did at 41, the payoff for practicing a lot and keeping one’s embouchure in a state of integrity. Although he was a capable improviser, mainstream jazz critics never embraced Al Gallodoro much owing to a variety of reasons, but saxophone players of all kinds will long remember his clean, effortless playing, the graciousness and beauty of his tone and of Gallodoro’s consummate professionalism.

Al Gallodoro, with Arturo Toscanini & the NBC Symphony - Mussorgsky-Ravel: Pictures at an Exhibition: The Old Castle (recorded 1948) 
Al Gallodoro & Lincoln Mayorga - GrofĂ©: Gallodoro’s Serenade (recorded 2004) 






I am laid low by the news of Al’s passing. As a result my heart hangs quite low. For an infinite period Al made his own history through the obedience of his chosen instruments. At this moment many things ply the sea of my memories and the feelings of my heart, but the ones that manage to come to the fore at this sad time are the following:
The cruel, corrosive, and devastating effects of time is extant when it claims the life and talent of the likes of the iconic Al Gallodoro. Al has left an indelible mark on time itself because of his unusual talent and votive determination for the excellence of perfection. In doing so, his wonderment and glory will live past his time as a lasting tribute to himself and to all of listening mankind. For generations his strains have irresistibly reached down into the deepest grotto of our heart’s core. Al Gallodoro will be remembered, missed, and loved. A final bravo, Al Gallodoro!
Benny Golson
Friedrichshafen,
Germany
Dear Benny, thank for the beautifully written tribute. I will never forget our phone conversations and your visit with Al Gallodoro and the concert you so graciously performed at in Oneonta, NY’s Hartwick College (April 2004). I am very thankful to have had Al as a friend and teacher, as well as music partner for the last 15 years - and to have had the opportunity to meet you in the course of our relationship. I hope to see you again someday soon. Best! JoAnn Bertone Chmielowski